![]() ![]() I should’ve realized that a bigger sensor would give me a bigger reflection with which to view the scene. ![]() After all, when you look through the viewfinder, you’re essentially looking down into the camera at a reflection off of the mirror. If I had thought about it for a minute, I should have expected this change. There’s just so much less black space around your view through the lens. It’s like going from peeking through a keyhole to opening the door and seeing the entire room. Only when I put both my crop and my full frame to my eye one after the other did I realize just how much bigger the viewfinder is on the full. I couldn’t quite put my finger on what was so odd. Looking through the viewfinder on that first day was a little jarring. Essentially, everything you hear the podcast hosts talk about is true: you are committing to a significant weight increase when you go full frame. While I still use the Peak Design Clutch on my full frame, I am fairly certain that I’ll need to invest in a different type of strap for longer sessions like weddings or nature walks. I could hold my crop sensor for hours in one hand with a clutch strap and not care. This was worth the money paid.” With that rock-solid build comes a little discomfort. Holding it for the first time made me think, “This is a professional’s camera. The first thing you’ll notice is that the full frame camera is big and heavy. A favorite photo from my first family session with my new full frame camera. If you’re wondering what it might be like to make the leap from entry-level crop to full, here are eight things I’ve learned during the short time I’ve had with a new full frame camera. Jim talks about his experience with a pro-quality crop sensor and switching to one from a full frame here. Furthermore, as you've heard on the podcasts and read on the site before, there are plenty of high-quality crop sensor cameras out there. I just knew I could use the capabilities of a better camera to my advantage thus, I bought a new camera. I am quite proud of the images I created for clients using my entry-level crop sensor. I imagine many readers will be in my exact position, wanting to take a step up in the quality of your camera technology. The article isn't a debate about which is better, crop or full, only about my experience making the transition to a more professional-level camera. Plus, if you don't have any lenses besides your kit lens, you will be amazed by the jump in quality when you purchase your first professional or pro-sumer lens.Īnother quick note about my perspective: this article is one person's transition from an entry-level crop sensor camera to a full-frame camera. ![]() You'll want to have lenses already so that you don't have to purchase both the body and the lenses all at once. The podcast hosts give this advice, and I agree: buy lenses first, then buy an upgraded body. I had purchased a Canon 50mm prime, a Canon 85mm prime, and a Tamron 28-75mm zoom. Ī quick note about lens compatibility: prior to purchasing the full-frame, I had already invested in three lenses that would work with the full-frame when I decided to upgrade. After a year in business with a steadily-growing client-base, I invested in a full-frame Canon 6D. For the last year or so, my T3i was also the camera I used for my weekend warrior family portrait business. For the first four years with my T3i, the camera was just for personal use–vacations, my family, randomness. For perspective, my trusty Canon T3i Rebel, an entry-level crop sensor, has been my workhorse since March 2011. I made the transition from crop to full ten days ago. Essentially, a full frame sensor gives you a bigger canvas on which to capture your image. That means it's smaller than the traditional 35mm size of a full frame professional camera. Chances are, your entry-level camera, perhaps your first dSLR, has a crop sensor. In case this whole crop-versus-full is foreign to you, what I'm talking about is the size of the image sensor in the camera. What gets lost in many discussions of crop-versus-full is what it’s like to actually make the transition. Whether you’re considering features like low-light capabilities, depth-of-field, the “crop effect” of the sensor, or simply the cost differences, the choice between a crop or a full will inevitably be a big choice you make when buying new gear. Discussions abound concerning the pros and cons of a crop sensor dSLR versus a full-frame dSLR. ![]()
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